|Fee:||$175 due at audition.|
No refunds after start of auditions.
|Registration:||Aug 15–Sep 18|
|Auditions:||Mon September 25th 5–7 PM. Callbacks Oct 2nd.|
SchedLinks: Hidden until online schedule is posted
Mon & Wed, 5–8 PM starting October 11th at ACT/Trinity
Dress Rehearsals: Dec 11 & 13
2 PM Sat Dec 16|
7 PM Thu Dec 16
3 PM Sun Dec 17
Arlington Masonic Temple
|Reduced program fees are available to those who require financial assistance. An application for reduced program fees must be submitted at least two weeks prior to the first meeting of a production or workshop to be considered. Please contact the treasurer for more information.|
Guides: Notes in this color are to expose the structure of the page and will be hidden before the page goes live. Various parts of the page will be hidden at various times as noted.
Welcome to ACT's 2017 fall teen production of Edward Albee One Acts.
We will be updating this page throughout the production, so be sure to check back here and refresh or reload your browser to make sure you are getting the latest information.
AuditionInfo: Will be hidden after auditions
Auditions are scheduled for Monday, September 25th 5–7 PM
In preparation for auditions, please:
FirstReh: Will be hidden until after auditions, then can be hidden after the first rehearsal.
Our first rehearsal will be Wednesday October 11th from 5–7:30 PM at ACT. We will also be having our parent meeting at 7:00 pm to solicit volunteers to help with the production.
SchedPosted: Hidden until schedule is ready.
Links to the online schedule for all shows can be found in the table on the right. These schedules will continue to be updated as rehearsals start, so be sure to check back frequently.
ProductionNotes: Will be hidden until there are production notes.
Running into each other at the beach, Cordelia and Abigail do all they can to hide their dislike for one another, probably because their husbands, Daniel and Benjamin, aren't doing so well at hiding the fact that they themselves were once in love before ever deciding to marry Cordelia and Abigail instead. Gertrude and Henden (Daniel and Cordelia's parents by previous marriages) play witness to their step-childrens' passions which inevitably excite their own, despite their age. Gertrude acts upon her curiosity by investigating what she imagines to be a relationship between Edmee and Fergus, a mother and son whom she meets at the beach that day. Henden, in his own time, approaches the sixteen-year-old Fergus and finds himself answering the boy's discomforting questions about the nature of Daniel and Benjamin's past relationship. All together, these chance meetings and forays into frankness offer a kaleidoscopic view of passion which spans all the ages of man and woman and all the varieties of love we know.
Mommy and Daddy sit in a barren living room making small talk. Mommy, the domineering wife, is grappling with the thought of putting Grandma in a nursing home. Daddy, the long-suffering husband, could not care less. Grandma appears, lugging boxes of belongings, which she stacks by the door. Mommy and Daddy can't imagine what's in those boxes, but Grandma is well aware of Mommy's possible intentions. Mrs. Barker, the chairman of the women's club, arrives, not knowing why she is there. Is she there to take Grandma away? Apparently not. It all becomes evident when Grandma reveals to Mrs. Barker the story of the botched adoption of a "bumble of joy" twenty years ago by Mommy and Daddy. Mrs. Barker appears to have figured it out when Young Man enters. He's muscular, well-spoken, the answer to Mommy and Daddy's prayers: The American Dream. Grandma convinces him to assist in her master plan. She puts one over on everybody and escapes the absurdly realistic world which she finds so predictable.
Beginning with brightest day, the Young Man is performing calisthenics (which he continues to do until the very end of the play) near a sandbox at the beach. Mommy and Daddy have brought Grandma all the way out from the city and place her in the sandbox. As Mommy and Daddy wait nearby in some chairs, the Musician plays off and on, according to what the other characters instruct him to do.
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Last updated: Mon Nov 13 2017 12:45 EST